A casino is an inexhaustible source of inspiration for cinema. It is a kind of life -size scene of a humanity in perdition. We are far from home casinos, Las Vegas the temple of the game and vice is the decor of most of these films. Cinema loves man and his dark side. It is often the angle taken by the filmmakers who show the casino as a place of all dangers, of all the vices and the ostentatious launch to the faces of those who are nothing, but who dream of the token that can change their lives. It's not trivial if we prefer to play quietly at Online casino In our sofa rather than confronting this world which seems to get you downwards more than you hoist a better of you. The vision of cinema is rarely positive. From gangsters, robberies, mafia, drugs, prostitute, the beautiful stories are rather rare. However, there will always be James Bond to save the world at a craps table, the class of the ocean's and the arrival under LSD of Raoul Duke in front of the Majestic therefore take a little tour in the cinema through the known and less known films who used casinos as theater. And in reality, the cinema stars are often addicted to the casino...
Las Vegas Parano: why sur una casino
Raoul Duke is actually double the author of this book Hunter S. Thompson who alone deserves an article. It is the creator of what journalism is called the Gonzo style. This style starts from the principle that the observer should not remain behind the usual red line and on the contrary cross it to understand and feel the subject. For example, Hunter S. Thompson's first book tells the story of the biker group of Hells Angels. So he lived a year and more with them becoming one of their own for the best and a lot of worst. This book is not far from being autobiographical. "Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs". The film begins with this sentence which should at least inspire my Eastern Sun: "He who turns into a beast delivers from the pain of being a man". This film is a real wonder far from the usual codes when Terry Gilliam meets Hunter S. Thompson, with an exceptional Johnny Depp, you have an out of time film that it is impossible to summarize. The story takes place in Las Vegas and his desert and the arrival of Raoul Duke in front of the Majestic remains one of the biggest stages in the history of cinema. For me, this film is a must for all self -respecting cinephilies.
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OCEAN: the franchise of casino robbers that runs badly
Suffice to say that there is a world with the previous film, but the first of the franchise is a great success. Ocean Eleven is the first in the series and highlights the Ocean family and the robbery of the century of a casino in Vegas. Steven Soderbergh and a Hollywood star rain George Clooney, Brad Pitt, Matt Damon, Andy Garcia, Julia Robert do the job. It's a Sunday or Monday evening film. Simple, well done, of action, a little humor and the world of casinos seen from the backwards. For the others, the further you go to the franchise, the more you will fail on heated, from the pre-Maché to the last one who only puts women in heroines. From a marketing point of view, it is good to be in the tune of the # Avengers ... it recalls a shoe brand that plays the cause of anti-racism in spo
Nsorizing the NFL player who fists the lifted and knee on the ground defeats the American State. He sold his cause to a shoe merchant who made hundreds of millions of euros in profits by pretending to be a humanist company, a cantor of human rights. And a crowd of morons are going to buy the brand's products to show as they are progressive without thinking about the conditions of production of these products. Human rights go from universalism to navelism. In the last Ocean, it was enough to cast a casting of women to sell his film as a feminist film. Put black superheroes in Africa and you have an anti-racism film. And it works thunder. They managed to make humanist causes of simple sales arguments. What should you have in the brain to think that giving 150 bullets to Nike is to be a activist against racism?
Casino Royale or praise of chaos
This 1967 film is a real gem and puts a little slap at the generation of certain James Bond. Once is not customary, the last ones seem to take over the flame of the James Bond from the book rather than the Hollywood fantasy which the scenario seems to have been built around the gadgets. In this James Bond there, the script was not built as this film is a happy and happy mess. It all starts with a retirement James whose lack of motivation seems to irritate all the heads of the planet's secret service who find that exploding the Bond manor, James Bond, is the solution to motivate the secret agent. I make you walk! The 1967 royal casino is a brilliant parody of the eponymous book of Ian Fleming. This film touches the absurd and it is a delight. And when the future of the world is played in a casino at a Baccara part, we particularly appreciate.
Las Vegas 21: True story
When a bunch of MIT students develops a system to scam the casinos at the Blackjack tables is worth a film. The main interest of the film is that this story is true. Statistics and math geniuses develop a system to count the cards by associating with the same table de blackjack While communicating with each other. The film is breathless and it is still the story of Icarus where this team by dint of success decreases the guard and ends up scutching. It is an interesting film on the world of the casino and on the grip it can have on the players. The lure of gain becomes an intellectual stimulation which will push budding geniuses to overcome the game to serve their disciplines, but it is the game that will ultimately lose them.
